Epson 1520, Epson 3000 and Epson 5000 wide format inkjet printers

The Epson 1520, Epson 3000, and Epson 5000 turn themselves into a color proofer for prepress companies if combined with a proofing RIP such as ProofMaster, CGS ORIS, or comparable RIP for proofing. Epson is famous for making inkjet printers at an economy price. You don't generally need long lasting output for a proof, so most prepress places use dye inks.

Most good inkjet printers work better if harnessed to a RIP. To learn what a RIP is, go to the index (links at bottom of every page). In the index go to the pertinent pages of RIPs. There is different and additional information on RIPs on all the other printer sites, so be sure to visit those other sites as well. Selecting the right RIP is as crucial as figuring out which printer is the most appropriate your needs and pocketbook.

fine art giclee prints with a Hewlett-Packard 2800CP wide format printer.
fine art prints from a Hewlett-Packard DesignJet 2800CP wide format color inkjet printer.
Look at this color, this is what the ads for Epson printers promise. Beautiful, rich, deep, colorful colors. Yes, you get this quality with every Epson printer, but colors made fade. You can avoid the fading by using aftermarket inks such as Lyson, Staedtler, etc.

Yet these prints are from a Hewlett-Packard DesignJet 2800CP ! These colors will hold their beauty even with dye based inks. This is the advantage of the 4-ink system; it's the weaker extra two inks of a six ink system which may fade first.

11x17 prints enlarged from 35mm color slides with a Scitex EverSmart Supreme flatbed scanner; photographs by Nicholas Hellmuth of indigenous Mayan handicrafts, Chichicastenango and Panajachel, Guatemala, FLAAR Photo Archive, scanned and printed at the Digital Imaging Technology Center, Essen, Germany.

Epson has successfully marketed an economical printer which puts color printing on the desktop at a price people can afford. The problem is when a printer made for home use/occasional office use is used for professional or commercial use. Then it may be the inappropriate printer.

"I did my own test with printing on Epson photo paper and it has now been 6 months and the half I have in sunlight is streaked and undeliniated. So much for personal printers.

It seems to me that they are all misleading the public with implied durability when in fact the results are only good for weeks, not months or years. I use mine now for making greeting cards of my artwork. You can't expect years of use from a greeting card.

Thank you for your web site. It is the only place I have been able to find such information."

Summary: Yes, we have met people that tweak outstanding images out of an Epson 3000. If you have an appropriate RIP software, you can get consistent professional images from the Epson 1520, Epson 3000, and Epson 5000 printer (and from the Epson 7000 and 9000 as well). If you use aftermarket third-party inks you escape the expensive inks that fade rapidly.

I am a Mac user, and have just purchased an Epson 1520. The printer seems really temperamental, and I get many "OUT OF PAPER" messages when there is plenty of paper. It also does quite a bit of whizzing and whirring for some reason when there is no printing happening. Unusual?

Within one week we got two e-mails, one from a person who was perfectly content with his Epson 1520 printer, and another who wanted to upgrade to a better printer. The advantage of an Epson printer is that you can use it as an economical way to experience with fine art prints, to experiment with the various inks, and to learn more about digital imaging. We would, however, recommend that you consider the Epson 7000 as your entry level machine, or even an Encad Chroma 24 (albeit a rather rough ink dot pattern). In the long run you will get a more professional output from a printer which is made for serious wide format printing.

Parrot personal at headquarters
FLAAR images about to be printed on Epson 7600 at Parrot headquarters

Overall we receive more complaints on the Epson 1520 and Epson 3000 than on any other printers (with the possible exception of the complaints on the Epson 1270 and Epson 2000). If you would like to know more about these printers before you buy one, better send us an e-mail.

If your clients expect an Iris giclee print, then you need a CreoScitex Iris printer but if your budget won't cover an Iris, there are many other printers to select from, such as Epson, Roland, HP, Mimaki, Mutoh, ColorSpan, or other fine art printers. Enter the world of digital fine art printers on www.FineArtGicleePrinters.org

Parrot Digigraphic is a place to get the large format models of Epson. Parrot Digigraphic is for serious wide format which means the models 2200, 7600, 9600, and up through to the new 1440 dpi variable droplet model Stylus Pro 10600. If you need a printer wider than Epson, Parrot now also sells the Mutoh Falcon II. Same printheads as the Epson printers but much wider.

Contact: John Lorusso, Tel (978) 670-7766, fax (978) 670-7744, e-mail imaging@parrotcolor.com

Fortunately the Epson 1520, 3000, 5000, 5500 are no longer made. But they linger on eBay. Avoid them. You are much better off with the newer models such as 2200 and 7600.

If you really want technical details on inkjet media, inks, and/or inkjet printhead technology, and especially if you wish to meet the movers and shakers in this industry, be sure to sign up for the next conference organized by IMI. Their contact is imi@tdstelme.net. These seminars are outstanding; the senior review editor of FLAAR usually attends because he can get so much fresh information for the readers of the FLAAR Reports in PDF format and the FLAAR Information Network of web sites.

 

Updated July 11, 2001, last updated May 14, 2003

 
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