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Reviews
of ColorSpan DisplayMaker XII wide format printer
At
last a wide format printer that produces photographic quality
enlargements at production speeds. Other printer companies
hype their speed, which in an actual printing environment
cannot be reproduced (it's called junk mode). Draft mode means
"throw away mode." We had to throw away most of
the output from Epson piezo printheads at their much touted
"speed." In real life they are the slowest printers
available. Yes, an Epson produces nice output at photo mode,
but it's too slow for a commercial sign company or photo lab.
A Roland can take up to 2 hours in its 8-color mode at 32
pass photo quality.
Look
instead at the impressive results from a ColorSpan wide format
printer. ColorSpan is a company which grew out of LaserMaster,
well known for their advanced laser printers in a previous
era. ColorSpan now makes a printer that can do floor graphics,
backlit signs, murals, trade show displays, point of purchase
(POP) signage, as well as posters, banners, and typical wide
format products.
This
kind of printer is especially good choice for a professional
photo studio (photo lab), print shop, copy center, or advertising
bureau. Just be sure that you realize you may prefer to have
an extended warranty as backup security (which can cost several
thousand dollars). Three years ago this was the message. The
warranty is needed for as long as you own the printer, since
you may need technical help and replacement of parts that
don't function well. ColorSpan is a complex technical printer.
But quickly we learned that most of the problems were in the
years when the company was owned by Virtual Fund (venture
fund companies are sometimes jokingly called the Vulture Fund).
Two
years ago ColorSpan was bought by a new company, MacDermid.
The new MacDermid ColorSpan has an entirely new policy of
taking better care of the customer and attending to maintenance
and service. I have kept an eye on ColorSpan, the company
and its printers, for several years. The newest model, the
Esprit, costs half of previous models and gives the same legendary
quality.
ColorSpan
makes a wide selection of fine printers. The one pictured
here is the Ilford IJT from Ilford Imaging. My first experience
with the ColorSpan DisplayMaker was their HiRes model with
8-color technology. The 8-colors are what give it the High
Resolution. Agfa marketed the ColorSpan under the name Agfa
Montana. Since November 2001, ColorSpan is sold only by ColorSpan,
not by Ilford or Afga. In Latin America, however, may still
be distributed by Xerox.
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During
the test what impressed me the most was how true the
colors are when printed on the ColorSpan.
Unfortunately
the flash used to take this snapshot was not wide
enough to cover the field of view of the wide angle
lens.
This
was our first experience with a ColorSpan, 4 years
ago.
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Don't
try to buy one of these printers over the internet and try
to install it yourself. A ColorSpan is a printer where you
need the printer, the RIP, the media, the inks, and all
their ICC
profiles together in one package. This is an integrated
system, the only way to set up a printer of this nature.
Take
the speed statistics with a grain of salt (which means reduce
them considerably). Remember the rule, fast speed = low
dpi, low dpi = less quality. Hence, fast speed = less quality.
Naturally
what you want is slow speed = the highest quality. The ads
show you the high quality, brag a bit about the high speed,
and the reader loses track and presumes the high quality
is of course also available at the high speed. No, its not
like that.
If
you are good with electronics, if you have already run a
printing company (with traditional presses), or if your
company is large enough to have a person who likes to work
on equipment such as a ColorSpan printer, then you should
consider this printer. We recommend, however, a factory-new
printer. If a demo or reconditioned, then we recommend under
the agreement (written agreement) that it will be replaced
or purchase price refunded in full if the printer does not
function as advertised. ColorSpan itself will provide a
service agreement with any of its older models, even original
models dating to years ago.
Since
FLAAR does evaluations, we figured it made more sense to
evaluate a demo unit, one that had already been around for
a while. This provided the added test results of knowing
whether a reconditioned ColorSpan would hold up. So far
it does just great. We don't have a single complaint. Works
fine every time.
What
are your alternatives? Roland offers good quality but
much slower. Roland is supposed to run around the clock,
which is why it costs more than the Epson. Downside is
the Roland's propensity to banding, printhead disabilities,
and slowness. This can pop up at any time and ruin your
images. Roland's pigmented inks have a notoriously poor
color gamut (you can tell, that's why the ads tout color,
to overcome this problem). Epson does the same, if anything
about their printer is not very impressive, the ad agency
singles out that aspect and claims Epson is the absolute
best in this specific attribute (now you know why Epson
ads claim its fast and can print on all kinds of media).
That's because Epson's are slow and have a renowed inability
to print on most media other than their own.
Another
alternative is the HP 3000,
3500,
or 3800CP,
after all, these models use the same heads as the ColorSpan
DisplayMaker XII. ColorSpan is wider, somewhat faster,
and noticeably higher dpi. An HP
5500 would be comparable
to the Mach 12 or X12. But ColorSpan offers ability to
print on thick media; with the Esprit you can print on
thicker and stiffer media. Mach 12 will take thick watercolor
paper which won't fit through any HP. Plus ColorSpan offers
8 colors for wider gamut and better depth of color. Actually
we use both brands: we have two HP 5000's and two ColorSpan's.
Use them both: HP for pigmented; ColorSpan for dye inks.
The
new Esprit model of ColorSpan changes
this. Now you get the same quality (eight colors) yet
for the price of an HP DesignJet. Of course HP itself
has upped the ante by producing its own 1200 dpi six color
printer, the HP 5000ps.
If
you want to knock people's eyes out with quality, at an
art exhibit, trade show, or whatever, then you need those
extra dpi offered by ColorSpan's six, eight, or twelve-ink
capability. If you have read a lot of the FLAAR reviews
you can probably note that my favorite for entry-level
through mid-level is the HP and my favorite for high-end
is the ColorSpan. I like the Roland and Epson but if I
won the lottery and could afford any printer I would opt
for a ColorSpan in the inkjet category. If I won a second
lottery, then I would also want a Cymbolic Sciences LightJet
or Durst Lambda (about a quarter of a million dollars).
In comparison the ColorSpan is a bargain.
ColorSpan
makes a range of impressive printers, from the the 12
color DisplayMaker
Series 12 wide format printer to the Esprit and the
newer Mach 12. ColorSpan also makes the Giclee PrintMakerFA
for Fine Art printing. The DisplayMaker Series XII offers
an apparant 1800 dpi color print.
For
museums a printer such as this would be an asset in fund
raising. Museums could do exhibits more economically if
the curators and in-house photo staff had access to a
wide-format printer. With a local network everyone in
the building can easily print from a single printer. Just
send your files over the network.
A
ColorSpan Displaymaker XII has been in the FLAAR facility
at Bowling
Green State University of Ohio for about five months.
One of the many torture tests we subject all printers
to is allowing them to sit unused for over a month. This
test totally clogged the piezo printheads of the Epson
7500. But with the ColorSpan, we turned it on after over
a month of this silent test, and after doing its test
strip, the printer produced museum quality output.
I
would like to point out that we have no technician working
on this ColorSpan printer. Actually the students use it;
they received no training whatsoever. Part of the test
is to have them read the instruction book and get the
printer going on their own. And they did it, flawless
printing. Yes, they had a few headaches since they had
never even seen this printer operating before I sprung
the test on them. Each one had the ColorSpan up and running
within their first day. We did this three times on the
DisplayMaker XII and now do it already as a test on the
Mach 12. So surely you too will find this printer a capable
production machine in your sign shop, photo studio, or
in-plant print facility.
After
this print, I asked one of the instructors his opinion.
He has considerable professional experience in Europe
as well as in the USA, and is in the PhD program in printing
technology. His main experience is with the Iris printer.
He looked carefully at the output (and this was after
the printer had been unused over a month, actually it
may have been close to two months). And his eyes lit up
when he saw the output, as he said, "This is the
most beautiful large format print I have ever seen."
That's
the "ooh and aahh" test. People complain that
we don't use complex instruments to measure the output.
But why?
When
you run a printshop, it is meaningless what some testing
institute says about color longevity under instrumentation.
What counts is quite blunt, do your clients like your
print job? Does your print work look better than that
of the competition who use a lesser printer?
At
normal viewing distance of 3 feet the output from the
ColorSpan DisplayMaker XII has won every ooh and aahh
quality test in the last three years in the FLAAR printshop.
We now have the Mach 12 but still use the DisplayMaker
XII every day. This month ColorSpan introduced an upgrade
model, the X12.
If
you need help deciding what wide format color printer
to buy, send an e-mail to the review editor, Nicholas
Hellmuth, contact
Please be sure to mention what kind of images you reproduce,
what your market is, your level of experience such as
whether you are new to digital printing, and what printers
did you consider before reading the reviews on this site.
Indicate roughly your budget since it makes little sense
to lust after a printer that is overly costly. We prefer
to recommend cost-effective printers that produce photo-realistic
quality with long-lasting colors using archival inks.
For
additional information on ColorSpan printers, contact
Bruce Butler at e-mail UV_flatbeds@ColorSpan.com
If there is no answer or if this e-mail address does not
function just let us know.
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All reports by Dr. Nicholas Hellmuth |
UPDATED:
November 25, 2001,
last updated Nov. 12, 2002
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