Encad
wide format color printers, Encad Chroma 24 and Postscript RIP
software and servers
Info,
links, factual reviews of Encad wide format printers and Postscript
RIP,
both hardware
RIP servers such as EFI Fiery RIP as well as software RIP
solutions to run your Encad wide format printers.
Earlier
this year we visited the Encad booth at CeBIT 2000 (mammoth
international trade show in Germany, some six times larger than
Comdex in Las Vegas). All the latest models of Encad wide format
printers were on display. The advantage of Encad wide format
printers is that they make a printer for almost every need and
budget. The Encad
Chroma 24 is the entry-level wide format printer. The advent
of the 24 inch Epson
7000 with its 1440 dpi is probably the final blow for the
300 dpi Encad Chroma 24.
One
of the advantages of the Chroma 24 is that you can learn all
about wide format printers without having to sink $20,000+ into
fancy equipment. You can easily install the Chroma 24 and print
images 36" wide. How can you print 36" wide on a 24"
printer? Easily, just have the software turn the image sideways.
You can print a 24x36" image easily on a Chroma 24 lengthwise.
Yes, naturally it is more practical to get a 36" wide printer
to start with (if you are a commercial print shop you may want
an even wider model). But if you are curious whether wide format
is for you, for use at home or on weekends, for use at school
or in a museum, or if your budget is limited, no need to go
without a wide format printer.
The
Encad Chroma 24 can get your started into the world of wide
format digital printing. More than 80% of the posters pictured
in this entire web site www.wide-format-printers.org are printed
on 24" paper. Although I have a 36" printer and at
times it would be more helpful to have a 50" to 70"
printer, for actual daily use a 24" printer is definitely
better than none at all.
The
Encad Chroma 24 is probably sold out by now and most people
who want a 24" printer are stuck with the Epson 7000. The
quality is clearly superior to the output of any Encad but it
can take 30 minutes for a single print or an hour for a banner.
Then the prints fade in a few days if you have them in a sunny
room. The new Epson 7500
was only an unfinished prototype when it was presented at the
DRUPA printer trade show in Germany in May, so don't get lulled
into believing the hype about it until they work the flaws out
of the new system. If you are interested in a 24" printer
and want to know what we actually saw and experienced during
the two weeks at DRUPA, you can always contact
the review editor of www.wide-format-printers.org, Nicholas
Hellmuth.
Best
time to contact
FLAAR about 24 inch printers will be in September since
two major trade shows will showcase new 24" printers (Canon
is one potential candidate). So contact us in September for
our new updated reports on the latest advances in better and
less expensive 24" printers.
The
Chroma 24 was a great deal four years ago, but we recommend
you save your money and opt for the newer systems this autumn.
It's only a month away.
Prints
of the size you see here can be handled with an Encad Chroma
24, or of course any wider format ink jet printer. If you
have the wider NovaJet printers you can switch rolls of
paper from 36" to 24". It takes about 1 minute
to switch a roll of paper. When you switch paper, however,
first check out some practical tips on changing the media
rolls.
Try
to get the Encad Chroma 24 direct from Encad (encad.com)
or from Publisher's Toolbox, tel. 1-800 390-0461.
How
does the Encad Chroma 24 compare with the Epson 7000? The
Epson 7000 is only for sale in Japan and Europe, not in
the USA. I saw the Epson 7000 at the CeBIT computer trade
show in Hannover, Germany, in February. It operates with
a RIP from BEST, also a German company. Like all Epson printers
the quality of the color is really nice. But how permanent
are the colors? They are very permanent...permanently faded.
Problem is that the colors fade, quickly. Put an Epson print
out in the sun; put a second copy safely in a closet or
desk drawer (out of all light). At the end of the day compare
the Epson print that was out in the full sunlight with the
Epson print that was in the dark.
The
same fading will occur indoors if even ambient light reaches
the image. The same fading plagues the Epson 1520,
Epson 3000,
Epson 5000, Epson 9000, and all desktop Epson printers.
Prints
from an Encad will last several years hanging on the wall
(I know, I have them still hanging on the wall). They still
have their color. I had to remove my Epson prints because
they lost their color so quickly. Hewlett-Packard inks are
rated to last more than 5 years (hence prints from most
Hewlett-Packard printers are rated to last longer than most
prints from Encad printers. Visit our page on the
NovaJet 1000i.
Main
disadvantage of all the Encad printers is that the images
have a visable dot pattern. This is especially obvious on
300 dpi Encad printers such as the Chroma 24. You quickly
notice that the image is formed of a pattern of very obvious
dots. This kind of dot pattern is not acceptable for fine
art prints nor for photo-realistic needs (in other words
these prints are nowhere near continuous tone). This situation
is not as bad on 600 dpi Encad printers, but if you take
the same print on a 600 dpi Encad printer and compare it
with the results from a 600 dpi Hewlett-Packard what
scanner should you use to prepare your images for a
wide format printer?
Additional updates from winter 2005 onward are also being put into the FLAAR Report Series in PDF format and are available on www.wide-format-printers.NET.